Bloodstone's self-titled 1972 debut album (recorded in Britain and, inexplicably, released only there) is very much in that spirit. Their sound incorporates Hendrix-style guitar passages with brittle, distorted notes and deceptively steady percussion carrying elliptical rhythms. Songs such as the Sly Stone-inspired "Friendship" and the harrowing "Lady of the Night" crackle with energy and conviction, the instrumentation vibrating with a funky bass, with vocal harmonies owing as much to bands like War as to Bloodstone's own doo-wop roots. "You Don't Mean Nothing," written by Bloodstone mainstay Charles McCormick, has a strong groove comparable to Curtis Mayfield's "Superfly," while the closing song, guitarist Charles Love's "Dumb Dude," is a heartfelt lament of lost love with gospel touches adorning a street-vibe slow jam.
The biggest surprise on Bloodstone is the record's only cover, a take on Bobby Russell's "Little Green Apples." Easily one of the dumbest love songs ever written, "Little Green Apples" becomes a tour de force funk ballad in Bloodstone's hands, with a spaced-out arrangement and an infectious percussive undertow and warm, full vocals keeping in perfect rhythm with the music - stretched out to nine minutes, about nine times as long as anyone is willing to take any other version of this song. That Bloodstone could make this song listenable - indeed, memorable - is indicative of just how spellbinding their otherwise exclusively original debut LP really is.
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