Showing posts with label rock and roll in decline. Show all posts
Showing posts with label rock and roll in decline. Show all posts

Sunday, August 6, 2017

Unplugged

Big news: The electric guitar is in decline.

In other news, water is wet.
No, this story is no surprise, although the PBS NewsHour's Web site and the Washington Post have both dedicated stories to it.  What fascinates me is how many people are struggling to explain why sales of electric guitars have been steadily falling over the past few years.
Why?  Why?  Have you heard the latest hits on the charts?  All you hear are synthesizers and electronic noise.  Computerized music has been the bedrock of early-twenty-first-century pop, and electric-guitar music has been pushed aside.  Some folks have blamed the failure of the record business in the age of digital downloading that has all but rendered vinyl records and compact discs obsolete.  But other forms of music are thriving in the age of digital downloading; in fact, downloads of hip-hop are now outnumbering downloads of rock tracks.  A better explanation is that not only are kids today more into the new technology that produces new sounds and provides new ways to access them, they themselves would prefer to make music with computers because learning how to play a Fender or a Les Paul is "too hard". . .  and besides, the electric guitar takes so damn long to master.  Why take all that time to play a traditional instrument when you can program a computer to make music instantaneously?    
Then there's the coolness factor.  Rappers like Kanye West have promoted their "music" as rock and roll and have declared their sound to be relevant and fresh, implying that guitar rock is neither of those things. Old-fashioned rock and roll music played on a Fender or a Les Paul is dismissed as "dad rock," something your dorky father listens to.  Kids can't be bothered with the real genius of an Eric Clapton or a Duane Allman.  And yes, there's the racial issue - traditional rock and roll is laughed off as "white guys with guitars," ignoring not only the legacies of Hendrix and Prince but also ignoring current black rock guitarists like Gary Clark, Jr.
As hip-hop has gone on the offensive, defending traditional rock and roll in general and electric-guitar rock in particular can get you into trouble.  Remember when, in 2008, then-Oasis member Noel Gallagher criticized organizers of the annual Glastonbury Festival for booking Beyoncé's husband, Mr. Shawn Carter, as a headliner for that year's show?  I talked about this before on my blog.  Gallagher's objection was based on the the tradition that Glastonbury had been a showcase for guitar music.  But Mr. Carter himself would have none of that.
"We don't play guitars, Noel," he said of himself and other rappers, "but hip-hop has put in its work like any other form of music. This headline show is just a natural progression. Rap music is still evolving. From Afrika Bambaataa DJ-ing in the Bronx and Run-DMC going platinum, to Jazzy Jeff and the Fresh Prince winning the first rap Grammy, I'm just next in the line. We have to respect each other's genre of music and move forward."
We all know what happened at Glastonbury in 2008, and it took awhile for Noel Gallagher to recover from the backlash he got.  It was also in 2008, incidentally, that MTV personality Matt Pinfield made his effort to launch rock station WRXP in New York.  You know all about that as well.  :-(   
And prospects for the electric guitar are unlikely to get better as more kids become entranced by electronic music.  Even Paul McCartney has conceded as much, saying that there's just no new electric-guitar talent (not even Gary Clark, Jr.?) to inspire the youth of today.  Paul McCartney, by the way, first experimented with electronic music in the 1960s, and with far less technology at his hands then than some kid with a laptop has now.
Guitar music will survive - just not the electrified sort.  In a bizarre twist, thanks to the popularity of country music and thanks also to singer-songwriters like Taylor Swift, sales of acoustic guitars are up.  
That should be good news for people whose first career choice - say, politics - doesn't pan out. 
Martin O'Malley, you do indeed have a future.
(P.S.  Although I am obviously so disgusted with where popular music has been heading that I haven't published any record reviews on Sundays in this space lately, I hope to write some more soon.) 

Sunday, February 12, 2017

Who Cares About the Grammys?

So how do I think the Grammys will turn out?  I don't give a twit.  Because rock and roll is pretty much left out of the major nominations, what with all the rappers and the popsters and the good ol' country boys dominating everything.  Here is the list of nominees for Album of the Year:
25, Adele
Purpose, Justin Bieber
Views, Drake
Lemonade, Beyoncé
A Sailor's Guide to Earth, Sturgill Simpson

Obviously, Adele is the only artist here that I'm interested in, and I would love to see her win this award.  But I know that Beyoncé is going to win it, if only because Kanye West will disrupt the ceremonies if she doesn't.  I say, give the award to her to shut him up.  And she'll probably win Best Urban Contemporary Album for the same LP as well.   But Beyoncé picking up the Album of the Year prize would be better than seeing the the Album of the Year Grammy to go Drake or . . . Justin Bieber?  How did he get in here?  If he wins, I hope Kanye does take the stage in protest.  As for Sturgill Simpson, I don't know much about him . . . I know he's a country singer, and he doesn't have a chance anyway.  Suffice to say that I am not a big fan of contemporary country.  
And here are the Record of the Year nominees:
"Formation," Beyoncé
"Work," Rihanna, Drake
"Hello," Adele
"7 Years," Lukas Graham
"Stressed Out," TWENTY ØNE PILØTS

Again, I'd root for Adele if I cared about these awards, but the other mononymic performers will be in a dead heat for this one.  As for Lukas Graham and TWENTY ØNE PILØTS . . . never heard of them.  Shows how much I know about current music when I listen to a college-indie station play current artists that don't sell a lot of records, assuming they sell any.   Beyoncé will likely get this Grammy too, over Rihanna and Drake.  And Beyoncé will likely win Song of the Year and Best Video for the same song.
If rock didn't have its own award categories, it wouldn't win any Grammys at all anymore.  But at least Beyoncé wouldn't be nominated for anything there, right? Wrong.  Her song "Don't Hurt Yourself" - considered a rock song because Jack White is featured on it - is up against "Joe" by the Alabama Shakes (at last! a current band I've heard of!) David Bowie's "Blackstar" and Disturbed's astonishing cover of Simon and Garfunkel's "The Sound of Silence."
And she'll probably win that too.
It's obvious, though, that, even if Queen Bey weren't a factor, hip-hop and electronic pop are in vogue and rock is so out.  Beck's Album of the Year win for Morning Phase may very well have been the last time a rock album won a Grammy award without having to be in its own special category.  Which means that even though Kanye West - who has a problem with rockers like Beck winning anything - isn't up for a lot of Grammys this year . . . even if he doesn't get an award tonight, he's already won.
Forget it, rock fans - our time is up.

Note to Beyoncé fans who think I'm putting her down and are ready to leave hateful comments telling me to go to hell and giving me directions . . . I never said Beyoncé is not a good performer.  I merely note that she's not a rocker.