What, what did you think I meant? 😃
I once suggested that Broadway musicals would never come back to Broadway in a pandemic-ravaged New York theater scene, but I was wrong. I also was wrong that Diana, The Musical would never make it to Broadway after COVID prevented its planned March 2020 premiere. But I wasn't as wrong about any of that as you would have been if you thought a cheesy musical based on the short life of one of the most sainted and martyred women of the twentieth century would work. And it didn't. Diana, The Musical opened in October 2021 and closed after 33 performances. And yet, someone had the not-so-bright idea of filming a performance of it to show on Netflix. And so the Golden Raspberry Award Foundation (GRAF) awarded to Diana, The Musical Razzies for Worst Picture, Worst Actress (Jeanna de Waal), Worst Supporting Actress (Broadway Veteran Judy Kaye), Worst Director (Christopher Ashley) and Worst Screenplay (Joe DiPietro and David Bryan). That's five out of nine nominations, folks. You can go here to see what the other nominations were.
(Aside: Basketball player LeBron James won the Worst Actor Razzie for his role in Space Jam: A New Legacy, which should serve as a warning to future basketball stars interested in working with Bugs Bunny and his friends: If it's not Michael Jordan with the Looney Tunes gang, it's just not the same.)
The GRAF called Diana, The Musical an "all-singing, all-dancing, all-awful, royal mess," but theater critic Jesse Green of the New York Times probably spoke for most people when he dismissed the effort to turn Princess Diana's troubled life into entertainment as tawdry and exploitative, adding that "if you care about Diana as a human being, or dignity as a concept, you will find this treatment of her life both aesthetically and morally mortifying."
But at least it didn't end with a car crash.
The movie version made for Netflix was not one of the Broadway performances from this past fall but was in fact filmed in the summer of 2020 under COVID restrictions without an audience. Bad move. If a filmed version had not been made, the musical would have been forgotten once it closed, and none of the actors involved would have been documented on screen for all eternity. You can always get out of a bad play and you can move on from it without regret. But you can never get out of a bad movie.
I would suspect that stage actress Jeanna de Waal (below), who played the title role, will have this 800-pound gorilla of a production on her back for the rest of her career - which could be a week.
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