My British ladyfriend Therisa Barber is once again performing in "Love, Life & Redemption," the play she appeared in back in February. It's at the Hudson Guild Theater in New York. There have been changes made since I saw it back then. For one thing, a poem or two has been added to the play and at least one or two scenes have been rewritten. But the biggest change is this. Therisa appears only as a ballerina mime, and not as an ordinary woman in the first and last scenes. Originally having played one of the artists the play's protagonist has mentored over the years, this time she appears as a living objet d'art that stands still in every scene except one, when she dances. So no one will see how lovely she really looks.
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